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Reflections Of Mane Laundering (The Anthology)

by Mane Laundering

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15sec 02:15
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Here Today 02:18
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Hand In Hand 02:01
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Hey Denny 02:10
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男の子 03:02
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あなた 02:46
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Free Talk 03:05
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about

Mirror (192 kbps mp3) www.lastfm.jp/music/Mane+Laundering/Reflections+Of+Mane+Laundering+%28The+Anthology%29
Mirror (320 kbps mp3).com?4eo6bzds2s8awtp (add www.mediafire to the beginning)

バブルガム・ポップ・マジック!
このアンソロジーは、独自のスタイルを貫くボーカロイドP、Mane Launderingの楽曲を網羅したものである。
大滝詠一、ブリティッシュビート、UKロックなどからの影響を受けたカラフルなポップ・サウンドに、
自虐やメッセージ性を込めた奇妙な歌詞を合わせたポップ・ワールドは要チェック!
The Hatsune Mikus shortcakecollagetape.bandcamp.com/album/go-manchester 推薦「最初に聞いたときは本当に驚いた。ミクでこんな音(60年代、ブリティッシュ)やるなんて。コンセプトが素晴らしい。エレファントクローン、青春 Standing there、探してtonight、大好きさ」

Bubblegum Pop Magic!
This anthology comprehends the many works of the one-of-a-kind Vocaloid producer Mane Laundering.
His unique style, which combines colourful sounds influenced by Eiichi Ohtaki (the Japanese Phil Spector!), British beat and UK rock, with quirky lyrics full of implication and self-torment, is definitely worth checking out!
Recommended by The Hatsune Mikus shortcakecollagetape.bandcamp.com/album/go-manchester : "The first time I heard his stuff, I was really surprised. I never thought somebody would make songs like this (60s, British) using Miku Hatsune. I love Elephant Clone, Seishun Standing There, and Sagashite Tonight"
Complete with lyrics and translations for most of the tracks.

Track 10 "Elephant Clone (Reverse)"

twitter.com#!/Mane_Laundering
www.nicovideo.jp/mylist/25652282

ジャケット素材:Kefer Nachum
twitter.com#!/kefernachum
piapro.jp/diolisum02

CNT-009
Released 11/03/2012

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released March 11, 2012

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Canata Records 東京都, Japan

We believe in pop.
We believe in freedom.
We believe that pop is freedom.
We believe that freedom is pop.

We believe in the world.
We want the world to believe in us.
It is your turn now.

If you are interested in releasing material through us, please feel free to contact us via email or twitter.
Don't worry about genres or skills.
Our top concern is whether your music FEELS nice.
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